Stephen Mear CBE on Choreographing My Fair Lady: A Masterclass in Movement

Julia Wagner · 2026-07-13

When a choreographer with a CBE and a Tony nomination sits down to talk about dance, you listen. Stephen Mear CBE recently shared insights about his work on *My Fair Lady* at Chichester Festival Theatre, and for anyone in the dance world—studio owners, choreographers, teachers—there's a lot to take away. ### The Man Behind the Movement Stephen Mear isn't just a choreographer. He's a storyteller who uses movement to reveal character. With credits like *Mary Poppins*, *The Little Mermaid*, and *Gypsy*, he's proven that dance can be both spectacular and deeply human. His CBE (Commander of the Order of the British Empire) is a testament to his impact on musical theatre. In the interview, Mear talked about the challenge of choreographing *My Fair Lady*. It's a show with iconic music and a beloved story. The dance numbers need to feel fresh while honoring the original. That's a delicate balance every choreographer faces. ### Lessons for Dance Educators What can dance teachers and studio owners learn from Mear's approach? Plenty. - **Story first, steps second.** Mear emphasizes that choreography should serve the narrative. In your classes, encourage students to ask: What is my character feeling? How does that change my movement? - **Respect the classics, but make them yours.** When working with well-known pieces, find your own voice within the tradition. - **Collaboration is key.** Mear works closely with directors, designers, and performers. Teach students to be team players. > "Dance isn't just about steps. It's about truth. If you're not telling the truth, you're just moving." — Stephen Mear CBE ### Building a Dance Studio That Lasts Mear's career didn't happen overnight. It was built on consistent work, learning from every project, and staying curious. For studio owners, that means creating an environment where dancers can grow without fear. Consider these strategies: - Offer masterclasses with guest choreographers to expose students to different styles. - Encourage improvisation to build confidence and creativity. - Emphasize technique, but also performance quality. ### The Business of Choreography Mear also touched on the business side. Choreographers need to understand budgets, schedules, and collaboration. If you're running a studio, you're already a business owner. Teach your advanced students about contracts, invoicing, and professional communication. It's never too early. ### Final Thoughts Stephen Mear's work on *My Fair Lady* is a reminder that dance is a living art. It evolves with each new production and each new dancer. Whether you're teaching a beginner class or choreographing a Broadway-bound show, the principles remain: tell the truth, respect the craft, and never stop learning. For dance professionals in the United States, Mear's insights are a call to elevate our work. The audience is waiting. Let's give them something real.